A cinematic, realistic scene showing a group of modern tourists —young and adult, dressed casually with cameras and smartphones— taking selfies and group photos in front of a bombed-out building in a war-torn urban area. The background shows ruins, dust in the air, burnt cars. The tourists are smiling as if on vacation, contrasting with the destruction behind them. Slow camera movement, documentary style, social commentary tone. Natural light, 8K resolution, cold and realistic color grading, National Geographic reportage aesthetic.
A man seen from behind, siting in a dark comfortable couch in a dimly lit white plain room, playing a shooter game telepathically. The man will be positioned in the left corner, while the screens will be seen on the right.His head and neck are connected with small, neural sensors that connects to a series of various screens that display intense battle scenes, soldiers, drones, and explosions. The camera is positioned behind and slightly below the cyborg, framing his shoulders. The lighting is naturalistic. The tone is photo-realistic, documentary-style, as if filmed by a war correspondent inside a sci-fi laboratory. Real-world textures, cinematic depth of field, subtle handheld camera motion, volumetric lighting.
A group of tourists stands at a viewpoint, taking turns using coin-operated binoculars to look at a distant powerful bombing They seem fascinated, admiring the smoke and destruction and movement in the distance. The wind blows their clothes slightly. Realistic cinematic style.
A cinematic scene showing a tourist guide leading a small group of smiling tourists through a war-torn city street. The guide gestures and explains enthusiastically while the tourists listen and take photos. Hes about to show the tourist the pilot that destroyed the street they are walking by. Around them, the environment is completely destroyed — collapsed buildings, burned cars, rubble everywhere. Children beg for food, stray animals lie asleep on the street, dust fills the air. The mood is visually tragic but the tourists appear cheerful, creating a powerful emotional contrast. Soft, natural lighting with muted colors, handheld camera style, realistic 4K details, shallow depth of field, documentary tone.
A lone person walks slowly through a devastated landscape after a battle. Hes wearing a suit and taking photos with his phone. He seems amused. The ground is covered in rubble and light smoke drifts in the air. Broken buildings and debris stretch into the distance. Distant silhouettes of soldiers move cautiously in the background, blurred by haze. The camera follows the person from behind at walking speed. Cinematic lighting, handheld camera motion, realistic textures, desaturated palette, 4K resolution.
A cinematic, thought-provoking mock travel commercial that critiques dark tourism. A cheerful narrator describes a “unique travel experience” while showing devastating war-torn landscapes, destroyed buildings, soldiers patrolling, and hungry children begging for food. The tone is ironic — upbeat music and smiling tourists contrast sharply with the tragic reality on screen. The visuals are realistic and emotionally powerful, highlighting human indifference and the absurdity of turning suffering into spectacle. Add text like a tiktok video. At the end, the narrator’s voice fades into silence as the cheerful tone collapses, leaving only the sound of wind through ruins. Cinematic lighting, 4K realism, handheld camera, emotional storytelling
Promts "Safari"
A static high-angle shot from the top of a building, as if recorded by a hidden camera discreetly placed behind a window. The frame is partially obstructed at the edges by blurred fragments of rubble, reinforcing the feeling that the camera is concealed and must remain unnoticed. From this elevated, downward-facing vantage point, the viewer sees the ruins of a destroyed city: collapsed structures, scattered debris, and fractured pavement spreading out in all directions. Dust and smoke drift slowly through the scene, creating dense atmospheric layers. Tiny particles float continuously in the air, catching the faint, diffused light that filters through the haze. Far below, a young boy moves carefully among the wreckage. He steps over shattered materials, digs through piles of rubble, and searches methodically for something lost or important. His movements are deliberate yet urgent, suggesting danger or desperation. The environment around him remains eerily quiet except for the distant sounds of settling debris and muted echoes from the ruined city. The camera does not move, zoom, or track — it stays perfectly fixed, reinforcing the sense of covert surveillance and tension. The entire scene feels like a moment captured secretly from a hidden vantage point, adding an undertone of vulnerability, caution, and silent observation.
“Bird’s-eye view / high-angle shot from the top of a partially collapsed building. Below, in a war-torn street, a child walks slowly through smoke, rubble, and the remnants of a recent battle. The atmosphere is gray and dusty, with particles drifting in the air. The camera watches the character from above as they take a few steps between the ruined structures. After those steps, from the camera’s point of view, a tranquilizing dard is fired at the child, they then lies on the floor. The scene has a cinematic style, with smooth camera movement, dramatic lighting, and a realistic post-apocalyptic tone
A girl sobbing crying "No!" "Why!" "Please, no!" "Please don't do this to me!" "I want to go home!" etc...
Microphone: AT2020
Processing: None
Credit: Angelee https://www.freesound.org/people/artsyangelee/