A cinematic, realistic scene showing a group of modern tourists —young and adult, dressed casually with cameras and smartphones— taking selfies and group photos in front of a bombed-out building in a war-torn urban area. The background shows ruins, dust in the air, burnt cars. The tourists are smiling as if on vacation, contrasting with the destruction behind them. Slow camera movement, documentary style, social commentary tone. Natural light, 8K resolution, cold and realistic color grading, National Geographic reportage aesthetic.
A man seen from behind, siting in a dark comfortable couch in a dimly lit white plain room, playing a shooter game telepathically. The man will be positioned in the left corner, while the screens will be seen on the right.His head and neck are connected with small, neural sensors that connects to a series of various screens that display intense battle scenes, soldiers, drones, and explosions. The camera is positioned behind and slightly below the cyborg, framing his shoulders. The lighting is naturalistic. The tone is photo-realistic, documentary-style, as if filmed by a war correspondent inside a sci-fi laboratory. Real-world textures, cinematic depth of field, subtle handheld camera motion, volumetric lighting.
A group of tourists stands at a viewpoint, taking turns using coin-operated binoculars to look at a distant powerful bombing They seem fascinated, admiring the smoke and destruction and movement in the distance. The wind blows their clothes slightly. Realistic cinematic style.
A cinematic scene showing a tourist guide leading a small group of smiling tourists through a war-torn city street. The guide gestures and explains enthusiastically while the tourists listen and take photos. Hes about to show the tourist the pilot that destroyed the street they are walking by. Around them, the environment is completely destroyed — collapsed buildings, burned cars, rubble everywhere. Children beg for food, stray animals lie asleep on the street, dust fills the air. The mood is visually tragic but the tourists appear cheerful, creating a powerful emotional contrast. Soft, natural lighting with muted colors, handheld camera style, realistic 4K details, shallow depth of field, documentary tone.
A lone person walks slowly through a devastated landscape after a battle. Hes wearing a suit and taking photos with his phone. He seems amused. The ground is covered in rubble and light smoke drifts in the air. Broken buildings and debris stretch into the distance. Distant silhouettes of soldiers move cautiously in the background, blurred by haze. The camera follows the person from behind at walking speed. Cinematic lighting, handheld camera motion, realistic textures, desaturated palette, 4K resolution.
A cinematic, thought-provoking mock travel commercial that critiques dark tourism. A cheerful narrator describes a “unique travel experience” while showing devastating war-torn landscapes, destroyed buildings, soldiers patrolling, and hungry children begging for food. The tone is ironic — upbeat music and smiling tourists contrast sharply with the tragic reality on screen. The visuals are realistic and emotionally powerful, highlighting human indifference and the absurdity of turning suffering into spectacle. Add text like a tiktok video. At the end, the narrator’s voice fades into silence as the cheerful tone collapses, leaving only the sound of wind through ruins. Cinematic lighting, 4K realism, handheld camera, emotional storytelling
A static high-angle shot from the top of a building, as if recorded by a hidden camera discreetly placed behind a window. The frame is partially obstructed at the edges by blurred fragments of rubble, reinforcing the feeling that the camera is concealed and must remain unnoticed. From this elevated, downward-facing vantage point, the viewer sees the ruins of a destroyed city: collapsed structures, scattered debris, and fractured pavement spreading out in all directions. Dust and smoke drift slowly through the scene, creating dense atmospheric layers. Tiny particles float continuously in the air, catching the faint, diffused light that filters through the haze. Far below, a young boy moves carefully among the wreckage. He steps over shattered materials, digs through piles of rubble, and searches methodically for something lost or important. His movements are deliberate yet urgent, suggesting danger or desperation. The environment around him remains eerily quiet except for the distant sounds of settling debris and muted echoes from the ruined city. The camera does not move, zoom, or track — it stays perfectly fixed, reinforcing the sense of covert surveillance and tension. The entire scene feels like a moment captured secretly from a hidden vantage point, adding an undertone of vulnerability, caution, and silent observation
“Bird’s-eye view / high-angle shot from the top of a partially collapsed building. Below, in a war-torn street, a child walks slowly through smoke, rubble, and the remnants of a recent battle. The atmosphere is gray and dusty, with particles drifting in the air. The camera watches the character from above as they take a few steps between the ruined structures. After those steps, from the camera’s point of view, a tranquilizing dard is fired at the child, they then lies on the floor. The scene has a cinematic style, with smooth camera movement, dramatic lighting, and a realistic post-apocalyptic tone
A girl sobbing crying "No!" "Why!" "Please, no!" "Please don't do this to me!" "I want to go home!" etc...
Microphone: AT2020
Processing: None
Credit: Angelee https://www.freesound.org/people/artsyangelee/
“Bird’s-eye view / high-angle shot from the top of a partially collapsed building. Below, in a war-torn street, a child walks slowly through smoke, rubble, and the remnants of a recent battle. The atmosphere is gray and dusty, with particles drifting in the air. The camera watches the character from above as they take a few steps between the ruined structures. After those steps, from the camera’s point of view, a bullet is fired at the child. The scene has a cinematic style, with smooth camera movement, dramatic lighting, and a realistic post-apocalyptic tone
A blurry, grainy video that looks like an authentic handheld recording captured in the middle of chaos. The camera shakes constantly, with heavy motion blur, focus breathing, visual noise, and occasional glitches, as if the person filming is running or hiding. The setting is a war-torn urban area: partially destroyed buildings, thick smoke in the air, dust particles floating, dim natural light, and a sense of abandonment. The audio is raw and immersive: distant children crying, muffled screams, panicked breathing, far-off explosions, sporadic gunfire, broken sirens, and the echo of ongoing combat. The sound is distorted and uneven, with static interference and sudden volume spikes, resembling an unedited real. The feeling of war is conveyed through atmosphere, sound design, and chaotic camera movement. The overall tone is dark, oppressive, and realistic, evoking fear, confusion, and desperation. Documentary-style realism, minimal natural lighting, desaturated colors, and a bleak, cinematic mood.
فيديو ضبابي مليء بالتشويش، يبدو كأنه تسجيل حقيقي بكاميرا محمولة التُقط وسط الفوضى. الكاميرا تهتز باستمرار مع ضبابية حركة قوية، تغيّر متكرر في التركيز، ضجيج بصري، وتشويشات وانقطاعات قصيرة، كما لو أن الشخص الذي يصوّر يركض أو يختبئ. المشهد في منطقة حضرية مدمّرة بسبب الحرب: مبانٍ مهدّمة جزئيًا، دخان كثيف يملأ الجو، غبار عالق في الهواء، إضاءة طبيعية خافتة، وإحساس دائم بالخطر. الصوت خام وغامر وغير متوازن. تُسمَع أصوات بكاء أطفال من بعيد، صرخات مكتومة، أنفاس متسارعة، انفجارات بعيدة، إطلاق نار متقطّع، وصفارات إنذار مكسورة يتردّد صداها. فوق كل ذلك، يُسمَع صوت الشخص الذي يصوّر وهو يتمتم بالدعاء باللغة العربية بصوت خافت ومرتجف، كأنه خائف ويحاول التماسك؛ كلمات صلاة متقطعة، همسات متوترة، ونبرة مليئة بالهلع والرجاء. الصوت مشوّه أحيانًا مع تشويش ثابت وارتفاعات مفاجئة في مستوى الصوت، كما في تسجيل واقعي غير معدّل. لا تُعرض أي أعمال عنف بشكل صريح. يتم نقل إحساس الحرب من خلال الأجواء، التصميم الصوتي، وحركة الكاميرا الفوضوية. النبرة العامة قاتمة، خانقة وواقعية، تعبّر عن الخوف، الارتباك واليأس. أسلوب وثائقي قاسٍ، إضاءة طبيعية محدودة، ألوان باهتة ومنزوعة التشبع، ومزاج سينمائي كئيب
A man seen from behind, standing in a dimly lit white plain room, playing a shooter game telepathically. His head and neck are connected with small, neural sensors that pulse faintly as they transmit brain signals., sending pulses of light to floating holographic screens that display intense battle scenes, soldiers, drones, and explosions. The camera is positioned behind and slightly below the cyborg, framing his shoulders. The lighting is naturalistic. The tone is photo-realistic, documentary-style, as if filmed by a war correspondent inside a sci-fi laboratory. Real-world textures, cinematic depth of field, subtle handheld camera motion, volumetric lighting.
First-person, soldier’s-eye perspective in the middle of an active battlefield. Rapid, chaotic camera movements with motion blur as the soldier rushes forward. Gunfire cracks in multiple directions, soldiers sprinting past, shouting commands, explosions rumbling in the distance. Thick smoke drifts across a street filled with rubble, debris, and partially collapsed buildings. The camera shakes violently with each impact, capturing fast, disorienting glimpses of running troops, muzzle flashes, and drifting dust. The scene has a gritty, high-intensity, cinematic war atmosphere with dynamic, fast-paced action.
Create a highly realistic war scene captured from the point of view of a soldier holding a handheld camera or a helmet-mounted recording device. The footage feels raw, unpolished, and authentic, with slight handheld vibrations, subtle focus shifts, and natural exposure changes as the soldier moves or breathes. The environment is an active battlefield in a conflict-torn urban area. Smoke rises from distant impacts, drifting slowly across ruined streets filled with debris, collapsed buildings, and shattered vehicles. Dust and particles float continuously in the air, passing close to the lens. The ambient soundscape feels tense and chaotic—distant explosions, muffled shouts, the rumble of engines—but the camera captures only what is visually present. In the mid-distance, groups of soldiers advance cautiously between cover positions, communicating through hand signals and brief movements. A tank rolls past partially in frame, shaking the ground as it moves forward through rubble. Occasionally, flashes of light from far-off artillery or vehicle fire illuminate the smoke. The lighting is naturalistic, slightly overcast, with the sun filtered through haze and dust. The overall feeling is tense, immersive, and grounded in reality—like genuine frontline footage documented by a soldier trying to capture what is happening around him, without stylization or the appearance of a video game
Ultra-realistic, documentary-style video recorded from a first-person point of view, as if captured by a real body-worn camera mounted on the chest or neck of a civilian. The footage feels unplanned and accidental, not cinematic or stylized.
The viewer is involved in a desperate physical confrontation with a single adult person directly in front of the camera. Both individuals appear exhausted, dirty, and malnourished, wearing worn civilian clothing. The opponent uses a simple improvised weapon such as a wooden stick or a small knife, moving clumsily and defensively rather than skillfully. The struggle feels chaotic, fearful, and untrained, driven by survival rather than combat.
The camera shakes erratically due to panic and physical stress, with uneven breathing, muffled sounds, brief loss of focus, and arms occasionally blocking the lens. Movements are awkward and imperfect, not choreographed.
The environment is a war-damaged urban area: partially collapsed buildings, broken concrete, scattered personal belongings, smoke drifting slowly through the air, distant fires, and a heavy gray sky. Dust and ash hang in the atmosphere.
Natural lighting, low contrast, muted colors, imperfect exposure, motion blur, and slight digital noise typical of real bodycam footage. No cinematic framing, no dramatic lighting, no slow motion. No explicit blood or graphic gore.
The overall tone is raw, tragic, and unsettling — a moment of human desperation during wartime, captured as real footage rather than entertainment
hyper-realistic video filmed entirely from a first-person point of view, as if the camera is mounted on the chest or neck of the protagonist (bodycam-style). The viewer is actively involved in a fight, facing a single adult opponent directly in front of the camera. The opponent attacks and defends using improvised weapons such as a stick or a knife, engaging in close-quarters combat with intense, aggressive movements. The camera moves violently with the body: sudden shakes, impacts, heavy breathing, brief motion blur, and partial occlusions from arms or hands entering the frame. The scene takes place in a destroyed urban environment, with collapsed buildings, scattered rubble, thick smoke filling the air, and a dark, overcast sky. floating dust and ash particles, sparks and debris reacting to movement. The atmosphere is dark and post-apocalyptic, highly immersive and tense. explicit blood or graphic gore. Cinematic realism, realistic depth of field, handheld bodycam feel. Close-range combat, chaotic and raw Found footage / bodycam realism